Spanish, 1753-died circa 1820  Related Paintings of Agustin Esteve :. | Portrait of Maria Luisa of Parma, Queen of Spain | Portrait of Maria Luisa of Parma | Retrato da Marquesa de San Andres | Goyescas | Portrait of Maria Luisa of Parma |
Related Artists:
Olof Arenius
a Swedish portrait painter, and son of a minister in Upland, was born in 1701. He studied under David von Krafft, and afterwards went to the Netherlands to study the old masters. His portraits and miniatures in oil are much esteemed, and are to be found in all the public galleries, as well as in the best private collections, in Sweden. Many of them have been engraved. He died at Stockholm in 1766.
John Pettie
British Painter, 1839-1893 He was brought up in Edinburgh and East Lothian, and in 1855 he entered the schools of the Trustees' Academy, Edinburgh, sponsored by the history painter James Drummond (1816-77). He studied under Robert Scott Lauder, and among his fellow students were WILLIAM QUILLER ORCHARDSON, Thomas Graham (1840-1906), George Paul Chalmers (1833-78), John Burr (1831-93) and John MacWhirter, several of whom later became part of Pettie's circle of Scottish artist friends in London. Pettie first exhibited at the Royal Scottish Academy in 1858 with In Trabois House (untraced), a scene from Sir Walter Scott's The Fortunes of Nigel, and he began sending work to the Royal Academy in 1860. From 1858 he provided illustrations for the periodical Good Words, and, encouraged by the reviews received for his early Royal Academy exhibits, such as The Armourers (exh. RA 1860) and What D'Ye Lack' (exh. RA 1861), when Good Words transferred its headquarters, Pettie moved to London in 1862. He shared a studio in Fitzroy Square with Orchardson and Graham from 1863 until his marriage to Elizabeth Ann Bossom on 25 August 1865. He subsequently lived at various addresses, gravitating towards the wealthy artistic colony in St John's Wood, where in 1882, at 2 Fitzjohn's Avenue, he built a neo-Georgian house and studio, The Lothians (destr.). This reflected not only the professional circle in which Pettie moved but also the rapid financial success that he achieved in London. From the mid-1860s his most important patron was John Newton Mappin, founder of the Mappin Art Gallery,
Frans Jansz van Mierisi
1635-1681 Dutch Frans Jansz van Mierisi Gallery